28,821 Free Images of Printing Plate

etching print yale center for british art metropolitan museum of art national gallery of art realism prints in the metropolitan museum of art engraving alphonse legros etchings in the national gallery of art (washington, d.c.)paper

Abyssinian Parrakeet (Plate 39), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

An old man having a shower accompanied by two other figures, José Guadalupe Posada, circa 1900

works by josé guadalupe posada 1900 in mexico

Entry of Marie de Medici into Amsterdam [plate 5 of 6], Pieter Nolpe, 1639

etchings in the national gallery of art (washington, d.c.)pieter nolpe

Entry of Marie de Medici into Amsterdam [plate 1 of 6], Pieter Nolpe, 1639

etchings in the national gallery of art (washington, d.c.)pieter nolpe

Entry of Marie de Medici into Amsterdam [plate 6 of 6], Pieter Nolpe, 1639

etchings in the national gallery of art (washington, d.c.)pieter nolpe

Entry of Marie de Medici into Amsterdam [plate 4 of 6], Pieter Nolpe, 1639

etchings in the national gallery of art (washington, d.c.)pieter nolpe

Shere Mill Pond, no. 2 (large plate), Francis Seymour Haden, 1860

drypoint prints in the yale center for british art francis seymour haden

Shere Mill Pond, no. 1 (small plate), Francis Seymour Haden, 1860

drypoint prints in the yale center for british art francis seymour haden

Shere Mill Pond, no. 2 (large plate), Francis Seymour Haden, 1860

drypoint prints in the yale center for british art francis seymour haden

Kensington Gardens, no. 1 (small plate), Francis Seymour Haden, 1859

drypoint prints in the yale center for british art francis seymour haden

Collared Parrakeet (Plate 40), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

Entry of Marie de Medici into Amsterdam [plate 3 of 6], Pieter Nolpe, 1639

etchings in the national gallery of art (washington, d.c.)pieter nolpe

Entry of Marie de Medici into Amsterdam [plate 2 of 6], Pieter Nolpe, 1639

etchings in the national gallery of art (washington, d.c.)pieter nolpe

Coming Out of the Hearing (first plate), Jean-Louis Forain, 1909

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

La botanique de J.J. Rousseau (Plate 52) BHL6167329, 1805

la botanique de j.j. rousseau leaves illustrations

Kensington Gardens, no. 1 (small plate), Francis Seymour Haden, 1859

drypoint prints in the yale center for british art francis seymour haden

Kensington Gardens, no. 1 (small plate), Francis Seymour Haden, 1859

drypoint prints in the yale center for british art francis seymour haden

Palaeornia Columbiodes / Pigeon Parrakeet (Plate 31), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

Shere Mill Pond, no. 2 (large plate), Francis Seymour Haden, 1860

drypoint prints in the yale center for british art francis seymour haden

Near the Coast [small plate], Robert Swain Gifford, 1886

etchings in the national gallery of art (washington, d.c.)orientalism

A Rake's Progress, Plate 5, William Hogarth, 25 June 1735

children in art realism

Plate III: View taken in the County of South Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spre, William Hincks, 1791

stipple engravings in the yale center for british art william hincks

Portrait of Pierre-Auguste Renoir, Pierre-Auguste Renoir, 1877

prints by marcellin desboutin impressionism

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to, William Hincks, 1791

stipple engravings in the yale center for british art william hincks

America a Prophecy copy a plate 08, William Blake

media from the william blake archive romanticism,fairy painting

Test plate of an old bearded man, facing right twice, Frans Schwartz

prints by frans schwartz in the statens museum for kunst engraving

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements, William Hincks, 1791

stipple engravings in the yale center for british art william hincks

Calm (Liber Studiorum, part IX, plate 44), J. M. W. Turner, 23 April 1812

liber studiorum romanticism

Fashion Plate (Evening Dress), Rudolph Ackermann, May 1825

fashion plates in the los angeles county museum of art ackermann's repository of arts - fashion plates

Test plate: Two naked women, Frans Schwartz, 1899

prints by frans schwartz in the statens museum for kunst engraving

Sample plate: Landscape with rocks and trees, Frans Schwartz, 1901

prints by frans schwartz in the statens museum for kunst engraving

Sample Plate: Fragment of "The Bad Maidens", Frans Schwartz, 1901

prints by frans schwartz in the statens museum for kunst engraving

prints by frans schwartz in the statens museum for kunst engraving

Sample plate: Fragments of "the good virgins", Frans Schwartz, 1901

prints by frans schwartz in the statens museum for kunst engraving

The sacrifice to Priapus (the larger version), Jacopo de' Barbari, circa 1499–1501

prints by jacopo de' barbari in the metropolitan museum of art joseph pulitzer bequest

Street Monuments, Signs, Badges, &c., Plate 1, John Wykeham Archer, 1851

etchings in the yale center for british art john wykeham archer

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water, William Hincks, 1791

stipple engravings in the yale center for british art william hincks

Banks of a River (Bords de Riviere), Paul Huet, circa 1866

cliché-verre by paul huet romanticism

Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn, William Hogarth, 1768

etchings in the yale center for british art realism

Thatched Cottages--Small Plate, Félix Buhot, 1878

prints in the national gallery of art (washington, d.c.)prints by félix buhot

Sample plate: Half-sprung leaf sprigs, Frans Schwartz, 1899

prints by frans schwartz in the statens museum for kunst engraving

New Year's Eve 1893. Test plate, Frans Schwartz, 1893

prints by frans schwartz in the statens museum for kunst engraving

Job (First Plate), Alphonse Legros

etchings by alphonse legros in the cleveland museum of art realism

Credulity, Superstition, and Fanaticism, William Hogarth, 15 March 1762

credulity, superstition, and fanaticism realism

Le Carceri d'Invenzione, plate I: Title Plate, Giovanni Battista Piranesi, circa 1749–50

le carceri d'invenzione (first edition, 1750)neoclassicism

Fashion Plate (Court Dress), Rudolph Ackermann, September 1822

fashion plates in the los angeles county museum of art fashion in 1822

The Miracle before the Blessed Sacrament (fourth plate), Jean-Louis Forain, 1912/1913

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

The Miracle before the Blessed Sacrament (fourth plate), Jean-Louis Forain, 1912/1913

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

Dunstanborough Castle (Liber Studiorum, part III, plate 14), J. M. W. Turner, 10 June 1808

etchings by charles turner romanticism

William Hogarth - A Rake's Progress, Plate 4 (Orig), William Hogarth

a rake's progress realism

A guide to the trees (Plate LXXXIX) (8435947412), 1900

castanea dentata - botanical illustrations a guide to the trees

The Square and entrance into Tippoo's Palace, Bangalore, James Hunter, 1804

picturesque scenery in the kingdom of mysore bangalore fort in art

William Hogarth - A Rake's Progress, Plate 4 (Alt), William Hogarth

a rake's progress realism

William Hogarth - A Rake's Progress, Plate 4 (Final), William Hogarth

a rake's progress realism

Plate 9: A youth playing the recorder while a man to the left holds up a music book; from Icones ad vivum expressae after Giovanni Battista Piazzetta, Giovanni Cattini, 1743

prints in the metropolitan museum of art giovanni cattini

Plate 12: A young man leaning on a staff looking outward, with an old man behind to his right; from Icones ad vivum expressae after Giovanni Battista Piazzetta, Giovanni Cattini, 1743

prints in the metropolitan museum of art giovanni cattini

Fashion Plate (Opera Dress), Rudolph Ackermann, January 1813

fashion plates in the los angeles county museum of art engravings in the los angeles county museum of art

The Maharaja Duleep Singh, 1847

recollections of india. part 1. british india and the punjab (1847)british library asia, pacific and africa collections

Copper printing plate, Laurens van der Meulen

laurens van der meulen copper engraving

The Watering Place (2nd Plate), Alphonse Legros

etchings by alphonse legros in the cleveland museum of art realism

The Meeting under the Arch (second plate), Jean-Louis Forain, 1910

prints in the national gallery of art (washington, d.c.)prints by jean-louis forain

Woodcutters, 3rd plate (Les bucherons), Alphonse Legros

prints in the national gallery of art (washington, d.c.)realism

Belshazzar's Feast (First steel plate), John Martin, 1 June 1826

prints by john martin romanticism

The south and east front of St James's Church, 1814

architectura ecclesiastica londini joseph john skelton

Ruïnes van een tempel, RP-P-H-S-37, Karel Dujardin, 1658

dutch golden age painting prints by karel dujardin

Self-Portrait (Third Plate), Alphonse Legros

etchings by alphonse legros in the cleveland museum of art realism

Plate for Top of Pin Box, Alphonse Legros

etchings by alphonse legros in the cleveland museum of art realism

Self-Portrait, Medallion, No.1, 9th plate, Alphonse Legros, 1905

prints in the national gallery of art (washington, d.c.)realism

The Prodigal Son (2nd Plate), Alphonse Legros

etchings by alphonse legros in the cleveland museum of art realism

The Dairymaid of Boulogne (Third Plate), Alphonse Legros

etchings by alphonse legros in the cleveland museum of art realism

Pass-Room Bridewell (Microcosm of London, plate 12), Augustus Charles Pugin, 1808

prints in the metropolitan museum of art augustus charles pugin

Plate 37 from Schon News Modelbuch, Johann Siebmacher, 1597

etchings in the cleveland museum of art johann siebmacher

Carl Egon, Prince of Fürstenberg, Johan Frederik Clemens, 1779

prints by johan frederik clemens in the statens museum for kunst etching print

Plate 3: Abraham Taking Lot and His Family to His Own Land, from 'The Battles of the Old Testament', Nicolaus van Aelst, circa 1590–ca. 1610

etchings by antonio tempesta nicolaus van aelst

A Rake's Progress, Plate 2, William Hogarth, 25 June 1735

a rake's progress realism

The Blessed Farm (2nd Plate), Alphonse Legros

etchings by alphonse legros in the cleveland museum of art realism

The Raising of Lazarus: The Larger Plate, Rembrandt, circa 1632

prints by rembrandt in the metropolitan museum of art dutch golden age painting

The Lawyer Talking to the Prisoner (first plate), Jean-Louis Forain, 1909

prints in the national gallery of art (washington, d.c.)prints by jean-louis forain

Death and the Woodcutter, 2nd plate (La Mort de le bucheron), Alphonse Legros

prints in the national gallery of art (washington, d.c.)realism

Death and the Woodcutter, 2nd plate (La mort et le bucheron), Alphonse Legros

prints in the national gallery of art (washington, d.c.)realism

Plate 18: a large tree at right, a man on horseback at left, seen from behind riding towards the left, from 'Various figures and doodles' (Diverses figures et griffonnemens), Stefano della Bella, circa 1646

prints by stefano della bella in the metropolitan museum of art baroque

La botanique de J.J. Rousseau (Plate 51) BHL6164747, 1805

la botanique de j.j. rousseau leaves illustrations

Christ on Raised on the Cross, from The Passion of Christ, plate 19, Grégoire Huret, 1664

prints of jesus christ in the metropolitan museum of art grégoire huret

Plate 2: A cannon to the left, a town in the background, from 'Various Military Caprices' (Varii capricci militari), Stefano della Bella, circa 1641

prints by stefano della bella in the metropolitan museum of art baroque

Lourdes, the Miracle (second plate), Jean-Louis Forain, 1912/1913

prints in the national gallery of art (washington, d.c.)prints by jean-louis forain

Shooting, Plate III, William Woollett, 1770

etchings in the yale center for british art william woollett

Shooting, Plate II, William Woollett, 1770

etchings in the yale center for british art william woollett

Shooting, Plate I, William Woollett, 1769

etchings in the yale center for british art william woollett

Plate 20: Tomb of Caecilia Metella called the Capo di Bove (Ox Head) (Sepolcro di Metela detto Capo di Bove), Giovanni Battista Piranesi, circa 1748

etchings by giovanni battista piranesi neoclassicism

Scotia Depicta - Gilmerton Quarry [Plate], John Claude Nattes, 1804

gilmerton, edinburgh scotia depicta

Shooting, Plate IV, William Woollett, 1771

etchings in the yale center for british art william woollett

Rudiments of Landscape in Progressive Studies, Plate 46, Samuel Prout, 1813

aquatint prints in the yale center for british art samuel prout

A guide to the trees (Plate XCI) (8435948852), 1900

fagus grandifolia (historical images)a guide to the trees

A guide to the trees (Plate CXLII) (8435975290), 1900

symphoricarpos orbiculatus - botanical illustrations a guide to the trees

A guide to the trees (Plate XCVIII) (8435952344), 1900

liriodendron tulipifera - botanical illustrations a guide to the trees

A guide to the trees (Plate CXXX) (8435968668), 1900

quercus virginiana - botanical illustrations a guide to the trees

Plate 17: Illustration to Canto XVII, from Torquato Tasso's 'Gerusalemme liberata III', Antonio Tempesta, circa 1590–1630

antonio tempesta - gerusalemme liberata renaissance

Fashion Plate (Evening Dress), Rudolph Ackermann, February 1818

fashion plates in the los angeles county museum of art ackermann's repository of arts - fashion plates

Head of an Old Man, after Rembrandt, Rembrandt, 1877

prints in the metropolitan museum of art dutch golden age painting

Plyctophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

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